{"id":43,"date":"2015-05-29T06:28:00","date_gmt":"2015-05-29T06:28:00","guid":{"rendered":"http:\/\/peterkerkelov.com\/?post_type=project&#038;p=43"},"modified":"2023-09-01T15:54:02","modified_gmt":"2023-09-01T15:54:02","slug":"time-etudes","status":"publish","type":"post","link":"https:\/\/peterkerkelov.com\/index.php\/2015\/05\/29\/time-etudes\/","title":{"rendered":"Time Etudes"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading\">Instrumentation:<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">3322-223-2perc., pno\/celesta, arpa-2 cori femminili, voce solo-9vni, 4vc, 4cb<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading\">Year:<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">2013-2015<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading\">Dur. (min.):<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">22<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading\">Premiere<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">22-26 Feb. 2016 recording sessions at the Bulgarian National Radio Orchestra and Female Stuff from Mixed Choir of Bulgarian National Radio with Reut Rivka Shabi (soprano solo) under Dragomir Yossifov<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading\">Info\/Program Notes:<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">\u201cTime Etudes\u201d does not attempt to musically deal with the subject of time as a deep philosophical question \u2013 infinity, stillness, immensity. Instead it uses the idea of \u201chuman\u201d time \u2013 measurable, cyclical, finite&#8230; But human in time is far beyond the numbers he creates. It is about observation, childhood memories, rituals \u2013 all kinds of vital acts, that need time to unfold and thus we to unfold through them. And that merging of needless measure and foolish emotion is what gives time a true paradoxical beauty. The (close to) equally long studies of this composition are like six identically sized canvases, in which same spaces of density and emptiness are rearranged in different ways. It is a trial of a hopeless plea to understand what to do with \u201call this time\u201d, to find the connection. But may be at the end of all this Hamlet awaits and retorts: \u201cThe time is out of joint\u201d.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading\">Listen<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Time Etudes (for orchestra, two female choirs and voice solo) by Peter Kerkelov\" width=\"1080\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F272118741&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=1080\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Instrumentation: 3322-223-2perc., pno\/celesta, arpa-2 cori femminili, voce solo-9vni, 4vc, 4cb Year: 2013-2015 Dur. (min.): 22 Premiere 22-26 Feb. 2016 recording sessions at the Bulgarian National Radio Orchestra and Female Stuff from Mixed Choir of Bulgarian National Radio with Reut Rivka Shabi (soprano solo) under Dragomir Yossifov Info\/Program Notes: \u201cTime Etudes\u201d does not attempt to musically [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"1240","footnotes":""},"categories":[11,10],"tags":[],"class_list":["post-43","post","type-post","status-publish","format-standard","hentry","category-listen","category-works"],"_links":{"self":[{"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/posts\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":5,"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/posts\/43\/revisions"}],"predecessor-version":[{"id":413,"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/posts\/43\/revisions\/413"}],"wp:attachment":[{"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/media?parent=43"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/categories?post=43"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/peterkerkelov.com\/index.php\/wp-json\/wp\/v2\/tags?post=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}